The principal characteristic of voyeurism is that the voyeur does not normally relate directly with the subject of his/her interest, who is often unaware of being observed. Voyeurism may involve the making of a secret photograph or video of the subject during an intimate activity. When the interest in a particular subject is obsessive, the behavior may be described as stalking.
I have always loved the drawings of Degas. The way he portrayed women, sensually and simply is to be admired.
In the late 1880s, Degas also developed a passion for photography and this new skill influenced the composition of his paintings. He photographed many of his friends, often by lamplight, as in his double portrait of Renoir and Mallarmê. Other photographs, depicting dancers and nudes, which were used as source material for some of Degas’s drawings and paintings.
As the years passed, Degas became isolated, due in part to his belief that a painter could have no personal life. The Dreyfus Affair controversy brought his anti-Semitic leanings to the fore and he broke with all his Jewish friends. His argumentative nature was deplored by Renoir, who said of him: “What a creature he was, that Degas! All his friends had to leave him; I was one of the last to go, but even I couldn’t stay till the end.”
The image above is of a worked over screen printed canvas (the painting below is the one I have reworked). It is important to remove all the noise from an image to get to a meaningful statement – too much clutter, too much overkill detracts the eye from the real deal. Read more…
The problems of fragmentation and confusion that exist within more traditional art practices, such as painting and sculpture (in the broadest possible milieu) are mirrored in new art practices. Within these technological and new media categories, diverse concepts and imagery has been lumped together to form a hodgepodge of non-related methodologies and artworks.
What is this direction?
The meshing together of processes, unrelated imagery and the breaking down of barriers cannot be seen as a shortcut to intellectual credibility. The dedicated thought process that goes with the creative procedure should be one of intense reasoning. It is therefore unrealistic to expect the uneducated masses to use the computers prescriptive decision making to create ‘real art’. The birth of Photoshop has enabled everybody to create ‘non-intellectual’ versions of Rauschenberg (and Warhol) – this is not ART.
I am an old dinosaur – I am very confused. What is painting? wp.me/p1GVNQ-3T Leave a comment on the page and set me on the right course
— Peter Bright (@thiswindow)
Contemporary artists have extended the boundaries of painting considerably to include; collage, different materials such as sand, cement, straw or wood for their texture. Juxtaposing images and materials, either as a collage, printing or painting is not simply a decorative … Continue reading ?
Original painting by Peter Bright . Media: Painting and Screen
Print on canvas, signed and dated. Size: 600mm x 500mm Includes original
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Nasher Sculpture Garden – Venice – The Peggy Guggenheim Collection: The Peggy Guggenheim Collection is housed in the Palazzo Venier dei Leoni, in Venice. Peggy Guggenheim, a former wife of artist Max Ernst, purchased this building in 1949. Although sometimes mistaken for a modern designed building, Palazzo Venier dei Leoni … Continue reading ?
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My friends and clients are always shocked when I suddenly present (in front of them) a ‘painting from life’ – just because I appear to produce slap-dash imagery as my main artistic process and thrust doesn’t mean I haven’t mastered the basic fundamental skills of ‘traditional’ painting and drawing.
Artists and teachers have argued for years that to fully understand the processes required in creating non-representational art, a knowledge of basic representational tricks is vital – to be able to imitate the real world is useful when trying to turn your back on it.
One of my still life paintings hanging on a wall in Worcestershire.
Oil paint on paper – 20″ x 16″